獨角劇 An One-man Show

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獨角劇

蝴蝶、骷髏、麻雀，它的互動與存在本質並非現實實際呈現，是屬於女孩生命體本身的現化、衍生出的心理劇場，而這些非日常的型態，確實充斥著唯美與怪誕並容的氛圍，象徵性以實物作為女孩精神性個體生命解釋，現代舞者碧娜·鮑許的《康乃馨》，舞者有時像孩童的感情表達、嬉戲，男性穿著女性的禮服，為隱喻敘述著人複雜性的各個面向。人對於存在本身的恐懼，基於生存生物個體的存活、人性中愛與被愛，弔詭的人也需要恐懼存在，嘗試激發存活與愛的問題，存在的恐懼中深刻去感覺，括含了生理、安全感、寂寞與心靈，但到最後我們都說不出可怕的是生命的終點，人們對於生命消離感，還是因為存在本質中的生命體能體驗恐懼的此時此刻，那此刻一分一秒與你的生存與情感互相交織或者衝突，甚至似細胞代謝蝴蝶的凋零新生，來來去去。

An One-man Show

Butterflies, skeletons, and sparrows, those three elements from the paintings that are metaphors of what a girl’s mind works, and her physical transformations. Those oddly arranged layouts are showing an exquisitely weirdness, meaning that a girl’s mind could be somehow attractive due to its oddness. These pieces are inspired by a play by a modern dancer, Pina Bausch, called “The Carnation”, the dancers in the play were dancing like children, some of the male dancers even danced on women’s clothes, hinting the complex of a human’s mind. When we’re are facing fear, it’s often caused by how to survive in the society, and how to be loved or love people, even the weird kids need to face those fears, trying to live through the problems of being alive. The existence of fear inspired us to appreciate everything that is going on through the life, including physical and mental feelings, but at the end, we could never really say what caused the feelings for death, has it been there all along our lives or it’s that moment of death makes us frightened, no matter what it is, we still have to live the lives, feel the feelings until we die, and there will be a new life, like butterflies, they die for the next life, and so do we.